Simply put, I was elated with Scream 7. Williamson smartly surveyed the whole of the franchise, working in lore — and even fan theories — where appropriate. But his film doesn't feel weighed down by them. He has delivered wild kills, a meta monologue about horror conventions, and enough comic relief to make this sequel a devilish roller coaster ride — the kind that sparks the audience to gasp, scream, cackle, and even yell to the characters onscreen as if we can help them.
Scream lovers will notice the reprisal of songs like Nick Cave and the Bad Seeds' "Red Right Hand" and a slow, sexy cover of Blue Öyster Cult's "Don't Fear the Reaper," the latter playing over the teen heroine kissing her boyfriend (like mother like daughter). There's also a cheeky nod to Scream 2, thanks to a framed photo of Tori Spelling, who canonically played Sidney in the first Stab movie. And content creators who love horror will relish doing shot-by-shot comparisons, as Williamson wisely apes director Wes Craven's iconic cinematography from the first Scream. Then, this sequel makes terrific departures from the franchise's weakest points.
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The barges had to be towed into position
人民法院认定该裁决违背公共利益的，应当裁定撤销。